I wrote this very quickly, and submitted it unsuccessfully to a couple of literary journals. Unsurprising, for it's sentimental, without much depth. It was meant to capture a particular patch of arable land around Suffolk, where I grew up. I've always been curious about what it might have looked like before the hedges were grubbed out and the fields made larger.
‘Birdseyes,’
Grandma says. ‘Not fishfingers – the flowers I mean.’
She
wades through long, dry grass and laughs a dry, long laugh. Looking for their
little blue heads at the edge, where they used to be by the old compost heap.
The
garden is wild now, but poorer for it. Nothing but bramble piled on top of
itself, making the air beneath it dark and lifeless. A single crooked path
leads to the end, and what little green grass there is shines with the weight
of her footsteps. Four walks a day, sometimes five if her pin isn’t playing up.
Beside
her, Peter seems lost. She pulls on his hand. ‘You know what I’m talking
about?’
Peter
shakes his head. Picks at the dry, red patches on his fingers.
Thorns
snag at her pleated dress, tear her stockings. Her feet are melting.
At
the foot of the compost bin, where her daughter puts all the grass cuttings
after she has mown, there is a tangle of green not-yet-flowers. Once, she knew
the shape of their leaves, and how it could tell you the name of the flower.
‘Smothered,’
Grandma says. Peter watches as she kicks away the clods of heavy grass that his
mother left on the ground. The wooden frame, once white, is now dark and
peeling. The bin has not been emptied for months, and he knows that there will
be worms and other creatures at the bottom of it.
He
points at something blue, a single dot against the ground, but it is just a
fragment from a milk carton lid.
Grandma
coughs like a crow. She keeps her eyes on the ground. She says, ‘Gone. Ever so
dainty, they were. Birdseyes.’
At
the very bottom of the garden is a narrow gap which leads onto the field.
‘Tell
me about daisies,’ Peter says. Grandma is quiet too often, and needs reminding
of her voice.
‘Oh,
daisies. Yes, we always used to make daisy chains. Daisies – you know that
comes from “day’s eye”, don’t you? Because they open in the morning and close
at night, just like eyes.’
At
the edge of the field is a puddle, with something blue floating in it. Peter
bends down to see that it’s a tiny butterfly. He slides his finger beneath it,
watches mud swirl around it, and lifts the butterfly out.
Grandma
shakes her head. ‘Gone, that, too.’
On
his finger the butterfly looks even more dead, so Peter puts it back in the
puddle. It looks proper there, somehow.
‘Common
blue,’ Grandma says. Little lines appear on her top lip as she says ‘blue’. ‘Do
you know that one? S’pect they don’t teach you any of that, now.’
She
wants to tell him about the birds. She can hear them in the hedge, dunnocks and
sparrows mostly, and blue tits making their way along it to the bigger trees.
Robins stick to the gardens. She used to tend the garden, before her back
started troubling her, and the robins would wait on the fence or the elder
tree, flitting down to find worms when they thought she wasn’t looking.
Somehow, though, the words get mixed up in her throat before she can speak.
‘There
are three things,’ Grandma says. ‘I s’pose that’s the first.’
They
walk across the field, and she tells Peter what it was like before the hedges
were grubbed out.
Thick, green, smelling of may and hay, sweet, almost too
sweet. So many leaves. And on the ground: ragged robin, lady’s smock, all the
other ladies (bedstraw, lords and).
‘What
happened then?’ Peter asks.
‘The
combines came,’ she says. She scuffles her feet on the corn, ripping out as
much as she can as she walks. ‘They said we needed more crops.’
Yellowhammers
sing about bread and cheese. Great tits sing about teacher.
Teacher
knew all the names, not just some. All the names and all the uses of plants –
plants that would cure headaches and nettle stings, plants that could calm you
or alleviate sadness.
‘She
tried, all the same. She did try. But you see we didn’t have the nature
reserves back then, so there was nothing we could do. We couldn’t try and make
it into one.’
Before
the stile that crosses onto the church path is a dry, cracked edge. All fields
have edges, but not all edges are forgotten like this one.
‘There,’
she points. A small sea of flowers, almost purple. ‘Birdseyes.’
Peter
kneels, but there is no scent. He runs his hand over them, through them,
reaching down to the parched ground beneath. Next to them are some horseshoe
prints. The horse that made them was probably dead by now. It is a lonely
place, and Peter wants to leave.
‘That’s
the second thing.’
‘What’s
the third?’
‘The
tree on its own,’ says Grandma. She is suddenly afraid. She hasn’t walked so
far in a long time, four years at least. The pin in her leg is aching, and
field dust sticks to her arms. But it is important to show him.
They
turn left, and walk along the footpath. The land to either side is flat and
wide, with scattered oaks and lonely hummocks of bramble and blackthorn.
‘Dropped by birds.’ The sky is open, the clouds vast. On one side is the wheat,
and the wind ripples it like the sea, makes it seem like there are many small
animals running or swimming through it.
The
path isn’t really a path. It is just the narrow band of grass between the
fields, and bordered by ditches. It leads to nowhere except the tree.
Grandma
stops, and Peter looks up. There are trees all over the place, but this one is
special. It is huge, black against the sun. It has no leaves. It reaches out,
and in its shade is another bare patch, like a beach, cutting into the field.
‘Is
it dead?’ he asks.
‘No,’
Grandma says. ‘It’s there.’
She
wants to tell him about the machines, and how they seemed to eat the hedges.
How she worried, cried herself to sleep for the birds, their nests and their
eggs. How she skipped work at the hall to look for survivors, and how there was
nothing but jagged roots and earth.
And
yet the tree on its own was left, as if the machines could not bring themselves
to remove it. Perhaps it had just been forgotten. Perhaps, not being green, it
did not matter.
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